As a composer, Ky Nam Nguyen (b.1996) have always been deeply passionate about crafting music that transcends cultural boundaries and connects people. Since the early days of her composition career, she has sought to merge her Vietnamese heritage with the Western classical education that she received from a young age. This blending of Eastern and Western cultures is a central theme in many of her recent works.

In 2021, her work for percussion quartet, The Wrath of Water Spirit, inspired by a Vietnamese legend and the severe consequences of climate change in her homeland, was premiered by the Furman University Percussion Ensemble. In 2022, her choral composition Buddhist Poems from Vietnamfeaturing English translations of poems by respected Vietnamese monks during the Medieval era, was premiered at North Park University, where American audience was first introduced to the Vietnamese praying bowls. She later presented this work at the 2023 Composition in Asia Symposium and Festival held at the University of South Florida. One of her other recent works, The Boat and the Sea for alto saxophone, percussion, and live electronics, was recorded by the New York-based experimental duo Popebama. The piece draws inspiration from a poignant poem by Xuân Quỳnh, a renowned female poet in Vietnam during the twentieth century, which beautifully captures the journey of a woman’s heart through the different stages of love. In the summer of 2023, Nguyen participated in the Oregon Bach Festival Composers Symposium, in which she composed and premiered Anio-san, Oukakutame for the Đờn Tranh (Vietnamese zither), Shakuhachi (Japanese flute), and Balinese Gamelan Ensemble.

To grow as a musician and as a human being, Ky Nam took part in multiple activities to explore people and cultures. In the summer of 2016, she went to the Institute of Sathya Sai Education in Thailand for a three-month internship course, in which she earned the Diploma in Value-Based Education and worked as a volunteer music teacher. In the summer of 2021, she worked as the Professional Music Consultant for Lullabies of the Rivers Project, funded by the British Council in the run-up to the 26th United Nations Climate Change Conference of the Parties (COP26). These experiences shape her vision of creating music to heal people and promote multicultural understanding. 

Ky Nam Nguyen is currently a DMA candidate in Music Composition at Florida State University. Nguyen earned her Bachelor of Music in Piano Performance from North Park University and Master of Music in Composition at Texas Tech University.

Highlights

September 3, 2024: Fragments of Memories and The Boat and the Sea were approved for public display on the UCLA Music Library: Contemporary Music Score Collection Series.

June 2, 2024: New Music on the Point. I got the Robert Turnbull Piano Foundation that covered my tuition and expenses for NMOP in June, 2024.

April 28, 2024: Sound Check! Festival Presentation. I had the privilege of presenting my work at Sound Check! A Festival of Asian American Music, Sound, and Scholarship, organized by the Music of Asian America Research Center. This festival celebrated Asian American musical contributions.

April 24, 2024: Archipelago of Resettlement, Intergenerational Remembrance and the Nguyễn Thái Bình Collection at the University of Washington, Seattle. I presented the documentary about Nguyễn Thái Bình, directed by my father, Nguyễn Hoàng, with my English subtitles. Nguyễn Thái Bình’s story is the inspiration behind my composition for mezzo-soprano, chamber ensemble, and live electronics, A Vietnamese Mother’s Letter to Nixon.

April 15, 2024. Podcast Interview with Aaron D’Zurilla: I was honored to be interviewed by my good friend and renowned music theorist, Aaron D’Zurilla, about my compositional journey and my composition A Vietnamese Mother’s Letter to Nixon. You can listen to the podcast and gain deeper insights into my creative process here. Additionally, Aaron’s blog post offers further information and reflections on our conversation.

March 28, 2024. The screening of  Once Upon a Bridge in Vietnam at Harvard University. In this documentary, the director François Bibonne returns to Vietnam, the country of his grandmother, and explores the country through the lens of classical music. My Waltz (2019) for solo trumpet and The Pine Tree (2022) were performed.

March 22, 2024: FSU Composition Recital. The Lingering Threads for cello and piano premiered.

 
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