For all commission, rental, purchase, and other inquiries, please visit my store or write to [email protected].
Vocal Music
A Branch of Plum Blossoms (2017), ca. 4’oo”, for Mezzo-Soprano, Flute, and Piano
A Vietnamese Mother’s Letter to Nixon (2023), ca. 12’00’, for Mezzo-Soprano, Chamber Ensemble
Buddhist Poems from Vietnam (2019), 6 movements, ca. 16’00”, for SATB Choir and Percussion
My Soul Plant (2017), ca. 3’00”, for Mezzo-Soprano and Piano
She Came Back from the War (2018), ca. 7’00”, for Soprano and Chamber Orchestra
Song of Separation (Tống Biệt Hành) (2018), ca. 4’35”, for Baritone, Cello, and Piano.
- (2023; arr. for Soprano, Alto Saxophone, and Piano)
Instrumental Music
Anio-san, Oukakutame (2023), ca. 5’35”, for Vietnamese Zither (Đàn Tranh), Japanese Bamboo Flute (Shakuhachi), and Balinese Gamelan
Fantasia on the Theme of “Lưu Thuỷ” (Flowing Water) (2019), ca. 6’00”, for String Quartet
Fragments of Memories (2023), ca. 8’03”, for Solo Alto Saxophone
The Lingering Threads (2024), ca. 7’18”, for Cello and Piano
Piano Quartet No. 1 in e minor, The Five Processes (2019), 4 movements, ca. 30’00”, for Violin, Viola, Cello, and Piano
So that Adventuring the Four Oceans is Worthwhile (2022), recommended ca. 8–10’00”, for Solo Organ
Sonata No. 1 in b-minor, Cave of Golden Flowers (2018), 3 movements, ca. 15’00”, for Solo Piano
Spring’s Rhythms (2021), ca. 1’52”, for solo timpani
The Nine Dragons (2021), ca. 8’53”, for Vietnamese Zither (Đàn Tranh) or Fixed Media and Orchestra
The Pine Tree (2022), ca. 1’55’, for Solo Flute
The Wrath of Water Spirit (2021), 3 movements, ca. 7’53”, for Percussion Quartet
Through the Daughter’s Eyes (2021), ca. 8’00”, for Chamber Orchestra
Waltz (2019), ca. 3’30”, for Solo Trumpet in C
Electroacoustic/Fixed Media Music
I Hear the War Drums at Night (2021), 3’59”, for Fixed Media
Metallic Laughter, Watery Cry (2020), 3’59”, for Fixed Media
The Boat and the Sea (2023), ca. 6’20”, for Alto Saxophone, Percussion, and Live Electronics